Visions of the Light are not only for fans of the cinema. In fact, if the presentation of the Oscar to the best photography is its signal to take a rest from bath of the Prizes of the Academy, next, this documentary stimulant will help to see films him in a completely new light. Named Documentary Better by the National Society of Critics of Cinema, as well as several associations of cinema critic, Visions of light plans illuminate the history and the art of the cinematography. In her the camarógrafos appear that were pioneering in the visual language of the cinema (like Billy camarógrafo of DW Griffith Bitzer and Toland Gregg, that shot Citizen Orson Welles Kane), as well as the teachers influenced, among them Néstor Alemendros (Days of Heaven), Vilmos Zsigmond (McCabe and Mrs. Miller), and Willis Gordon, affectionately nicknamed " Prince of the Tinieblas" that he shot to the films of the Godfather. From the Birth from a Nation to Blade Runner, than the wind to Good Boys, this celebration of the eyes almost extends by a century with the sequences of than 125 films done more immortal by the ingenious use of the light and the shade to make reality the vision of the director. William Fraker, that shot to baby of Rosemary " to him; , the shooting of the scene remembers in which wreck is considered personage Ruth Gordon in a room speaking on the telephone in the end of a runner. Director Roman Polanski suggests Fraker to move his camera so that its body is hidden by a door and the public only could see his back. Fraker remembers later seeing this scene in the theaters and see the change of public in its seats trying watch around the door. - Donald Liebenson It undergoes the history of the overwhelming through the lenses of the greatest film directors of world and captured seen cinematography in classic scenes of more than 125 immortal films. It discovers Gordon Willis secret of the illumination Marlon Brando in " The Padrino" and the contributions of Greg Toland of " Kane" citizen;. The running of " hears William Fraker; Rosemary' s Baby, " Vittorio Storaro in its use of the color and the light in " Apocalypse Now" and much, much more. Of black and white to the technicolor, in silence for " talkie" , brilliant musical from Hollywood to the black cinema and the cinema art to ticket office success, this masterpiece acclaimed by the critic presents/displays films in a new unforgettable light.

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